Before joining the firm(ament) of Wallace, Wall, Graham and Lum, Roy Arden was attracted to collage and its 3D cousin, assemblage. His 1985 essay on Al Neil, published when he was 28 years old, announces an intellect that continues to both inspire and enrage.
Around fifteen years ago, Arden returned to the mediums that first attracted him to visual art practice. Collage and assemblage, but also
Above is a sculpture Arden made in 1999, entitled Prototype for a Model of a Theory. I have seen variants of this work at the CAG and Monte Clark Gallery, but never in this form. Thank you to Christopher Brayshaw for sending it to me.