On Monday I visited the Morris and Helen Belkin Art Gallery, where Technical and Design Services Manager Owen Sopotiuk previewed for a group of us the twenty short films in Maria Eichhorn’s Film Lexicon of Sexual Practices (1999/2005/2008/2014/2015).
Eichhorn
is strict that visitors see her films in film form only. Her piece involves
viewers selecting a film (from a list of titles that include Japanese Bondage, 2015) then asking that it be projected for them.
While
waiting for Owen to set up the projector, I saw the first copies of the Letters: Michael Morris and Concrete Poetry
catalogue that I contributed to, and whose exhibition I co-curated (with Scott
Watson) at the Belkin in 2012.
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