While visiting Jeremy Borsos's Mayne Island studio in advance of his Immaculate Debris exhibition at Deluge Contemporary the artist showed me a picture he made (rephotographed) from four photographs he purchased online, after typing in the words "lens obstructions."
What unites these photographs, what makes their assembly a work of montage, is the four corner distribution of their "obstructions" -- what becomes, in effect, a super finger.
Immaculate Debris is up until July 16. Click here for my exhibition text. And here for one of my favourite rawk songs, ever!
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