Monday, July 23, 2012


the introduction of colour into the poem

is its reconsideration as design no longer

a skeleton we clothe but a wheelbarrow

whose adjective is redundant replaced

by what so much depends upon printed

in the colour the adjective describes I try

this without writing it and the poem still

moves with the grace Williams gave it

the rain enhanced by a glossier finish

chickens whitest between each word

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