Thursday, November 12, 2015

What Counts in a Numbers Game?



What does it mean when a government subsidized magazine declares itself to be "in the numbers game"? What does it mean when its editor starts taking search engine robots at their word?

"The aftermath of this in art criticism is plain"?

Benjamin Disraeli said, "There are three kinds of lies: lies, damn lies, and statistics?" Jaron Lanier and his kind would have us believe there is a fourth -- the internet -- and that we are in trouble if we start to believe its "analytics," its robots' "unsettling precision."

All this, and more, because an editor is trying to justify a call for (capital?) "investment" to protect the interests ("entitlement") of the few who write and read art reviews? Not since the days of Brian Mulroney have I heard such a sad case of reasoning.

That's the signpost up ahead. Your next stop: the slippery slope.

Tuesday, November 10, 2015

"Navajo English"



Samual Bréan on the reception of Godard's "Navajo English" subtitles.

Monday, November 9, 2015

Tonto




The first ten episodes of The Lone Ranger had the Ranger riding alone. "Script 11 introduced Tonto," says writer Fran Striker. "Tonto was developed solely for the purpose of giving the Lone Ranger someone to talk to."

Sunday, November 8, 2015

Injun Joe



Don't have time to read the book -- but your essay is due on Monday? Click here for cliffnotes.com.


Character Analysis Injun Joe
Next to Tom Sawyer, Injun Joe is the most important character in the novel. During a boy's maturation, he must sometimes encounter evil in its most drastic form, and it is through Tom's reactions to Injun Joe that we most clearly see Tom's growth from a boy into a young man.
Injun Joe is a thieving, dishonest, wicked person who achieves most of his evil goals because he is also clever and resourceful. He kills young doctor Robinson without qualms and for no discernible reason except for pure evil pleasure. He frames old Muff Potter, and he is shrewd enough to make the townspeople believe his story is true. When proof of his part in the murder is about to be revealed, he reacts quickly and decisively at the trial: He takes immediate action and jumps out the window and escapes and cannot be found by the search parties. In addition, his reputation is such than none of the citizens will confront him with his evil. Although all the citizens of St. Petersburg know that he is evil, each is too frightened to confront him because they, like Tom and Huck, know that he will retaliate in a violent manner.

Injun Joe is a static character, that is, he is the same at the end as he is in the beginning. He does not change through the course of the events in which he is involved. He is the essence of evil when we first see him murdering Dr. Robinson and framing Muff Potter for the crime, and he remains the essence of evil throughout. Consider, for example, his plan to mutilate the Widow Douglas in retaliation for something her late husband did years earlier.

Injun Joe is central to the novel's primary adventure and appears in some of the most important scenes in the novel: He is first seen murdering Dr. Robinson and framing the innocent Muff. He flees justice at Muff Potter's trial. He is the central figure in the search for buried treasure; he shows up, disguised as a deaf and mute Spaniard, in a haunted house where Tom and Huck are hiding upstairs. Later, he displays his extreme cruelty as seen in his plans to revenge himself on the Widow Douglas. When he threatens to kill his partner if the latter refuses to help him mutilate Widow Douglas, he simply reinforces his evilness. Tom encounters Injun Joe in the cave, where he is finally trapped with his ill-gained gold and dies a befitting but horrible death.

Saturday, November 7, 2015

Marie Wilson



Truth and Reconciliation Commissioner Marie Wilson has spent a lot of time listening. In this 2013 picture (above), Wilson is in Hay River, NWT, listening to former residential school students.

On November 1, 2015, Wilson attended a re-dedication ceremony for Canadian poet and federal government bureaucrat  Duncan Campbell Scott, whose new plaque includes his role in the creation of Canada's residential schools.

On the topic of the re-dedication ceremony, Wilson had this to say:

“…the stories of our lives are not all written while we are on earth, that the stories of our lives indeed can be continuing and in some ways can become more important and more powerful after our departing.”

Friday, November 6, 2015

Goodbye to Language (2014)





Not sure what book these two are looking at. Fairly certain it is not a collector's item from the Audain Art Museum's publication program.