Thursday, September 7, 2017

Swarm 18



Tonight is the first night of Swarm 18, a two-night opening of Vancouver artist-run centres' 2017-2018 seasons. In past years I might have written "a two-night opening of Vancouver artist-run centres' 2017-2018 exhibition seasons," but exhibitions are only an aspect of artist-run culture these days, so it is not so much exhibitions that are opening but the doors behind which they are mounted.

There are three Swarm events tonight (in addition to an opening at the Belkin). The one I will visit  is LOVE AND ROCKETS at VIVO Media Arts.

Here is the press release:

Join us for the opening of Curator-in-Residence Derrick Chang’s Love and Rockets in conjunction with SWARM 2017.
Elizabeth Milton (Vancouver), Jennifer Remenchik (Los Angeles) and Benny Nemerofsky Ramsay (Edinburgh)
With recordings of music and spoken word by Leanne Betasamosake Simpson (Michi Saagiig Nishnaabeg). Music videos by Cara Mumford (Métis / Chippewa Cree) and Amos Scott (Tlicho/ Dene)
Love and Rockets* is an exploration of longing and everyday feelings that provide an outlet for tensions and power dynamics that exist within interpersonal relationships. As a trope, the overwrought emotion of love is normally associated with cinematic melodrama that often results in an excessive display of feelings from both the actors and the viewers. Within the dynamics of music, film and video, an intimate relationship emerges that crosses between the individual and the screen. L&R represents a crucial understanding of how these ideals are transmitted from the screen to reality and back again and conversely reified through slippages in fiction and autobiographical narrative. The artists in the L&R screening series confront the way in which we control the inner monologue that tells us, “Don’t get so emotional,” and minimizes what are important issues such as respect, freedom, dignity and power that accompany tensions within relationships, broken affairs and emotional recovery. As some of the artists in the screening state, their work often reflects on states of tragi-comic emergence, emotional growth and medicines for acceptance, connection, intimacy and love.
Elizabeth Milton is a performance and media artist based in Vancouver. She holds an MFA in Studio Art from the University of British Columbia and a BFA in Visual Art from Simon Fraser University. Her work has been exhibited throughout Canada and Europe and developed through residencies at Skaftfell Centre for Visual Art, Iceland, Access Gallery and the Banff Centre. Her recent performances, exhibitions and screenings have taken place at the Vancouver Art Gallery, the grunt gallery (Vancouver) and Altes Finanzamt (Berlin, Germany). She instructs courses in Studio Art at the School for the Contemporary Arts at Simon Fraser University and Langara College in Vancouver, BC.
Jennifer Remenchik received her MFA from California Institute of the Arts in 2015 and her BFA from the University of Texas at Austin in 2009. Her works have been exhibited in a number of institutions and galleries including Industry Lab, Boston, MA; HILDE, Los Angeles, CA; BEEFHAUS, Dallas, TX; and the Contemporary Austin, Austin, TX, among others. Recently, she completed residencies at the Performing Arts Forum in St. Erme, France, Toni Areal in Zurich, Switzerland, the Banff Centre in Alberta, CA, and the Vermont Studio Center in Johnson, VT. Remenchik lives and works in Los Angeles.
Benny Nemerofsky Ramsay is an artist and diarist. His artistic gestures in sound, video and text contemplate the history of song and the gender of voices, the rendering of love and emotion into language, and the resurrection and manipulation of voices – sung, spoken or screamed. In his work you will find bells, bouquets, enchanted forests, folding screens, gay elders, glitter, gold leaf, love letters, imaginary paintings, madrigals, megaphones, mirrors, naked men, sign language, subtitles, and the voices of birds, boy sopranos, contraltos, countertenors and sirens.
Leanne Betasamosake Simpson is a renowned Michi Saagiig Nishnaabeg artist, musician, poet and writer, who has been widely recognized as one of the most compelling Indigenous voices of her generation. Her work breaks open the boundaries between story and song—bringing audiences into a rich and layered world of sound, light, and sovereign creativity. She has published extensive fiction and poetry in both book and magazine form, in the Walrus, Arc Poetry Magazine, Geist, and C Magazine. Her second book of short stories and poetry, This Accident of Being Lost will be published by House of Anansi Press in Spring 2017.
_
DERRICK CHANG is a curator and writer, whose research critically examines the nature of ethics and politics in artistic practice. His current research and writing extends this examination to consider the personal and its formal associations in the context of diverse archeologies of love as mixed subcultures of feeling and emotion.

____
*Love and Rockets is a homage to the 80s alternative comic, of the same name, by the Hernandez brothers. L&R is an ongoing series chronicling the lives of a diverse cast of Latinx characters whose identity and community exist as part of mainstream conversations, not as an aside. Through the visual language of sci-fi, magic realist and punk rock influences, their storyboards give us insight into narratives that illustrate dynamic scenes of relationships that both flourish and spiral out of control.



Wednesday, September 6, 2017

"The Lonesome Death of Hattie Carroll" (1964)




"I changed the reporter's view into -- I used it -- I used it for something that I wanted to say. And I used his view -- the many reporters' views -- to get at what I wanted to say and turn it that way. And I used a true story, that's all."

Tuesday, September 5, 2017

I Just Gotta Have More Horn!




Christopher Walken is excellent as the angel Gabriel in Prophecy (1995) and its sequels.

Monday, September 4, 2017

"Finest Worksong" (1987)




The Work Tour was the name R.E.M. gave to its 1987 tour in support of its Document album -- the last album the band made for I.R.S. Records. The first track on that album, "Finest Worksong", is a favourite of mine. Here is its lyric:

The time to rise has been engaged
You're better best to rearrange
I'm talking here to me alone
I listen to the finest work song
Your finest hour, your finest hour

Another chance has been engaged
To throw Thoreau and rearrange
You are following this time
I beg you not, beg to rhyme (blow your horn)
Your finest hour (blow your horn), your finest hour

Take your instinct by the reins
Your better best to rearrange
What we want and what we need
Has been confused been confused (blow your horn)
Your finest hour (blow your horn), your finest hour


Take your instinct by the reins
Better best to rearrange
What we want and what we need
Has been confused been confused (blow your horn)
Your finest hour (blow your song)
Your finest hour (blow your horn)
Your finest hour (blow your song)
Your finest hour

Sunday, September 3, 2017

Dave Biddle



On the evening of August 30th, in an effort to cool down after one too many hot August nights, I set out on a walk that led to the Lido, where I was introduced to Dave Biddle, a tall muscular presence in his late 20s dressed in white shorts and a white t-shirt, and whose dyed blonde hair is cut in a page boy. Attached to Dave's chest was a saxophone harness, but because it could be a fashion accessory, I didn't ask.

Half a cold beer later Dave and his percussionist bandmate Justin Williams, who perform under the name Linda Fox, took the stage. What followed were four long and atmospheric songs that featured Dave on saxophone and keyboards, but most prominently on vocals, which had him singing into either a pitch shifter or an octave divider -- with the octave set above Middle-C.

The effect was jarring, at first, but soon enough Dave's vocals passed from spectacle into sincerity and tenderness.

At various points during the show I Googled Dave and found that he once played international rugby. He also plays in Dada Plan with his brother Malcolm. At present Dave is a student at SFU's School for the Contemporary Arts. Prior to that he attended Concordia.

I expect to be hearing more from this motivational artist in the future.


Saturday, September 2, 2017

Recent Painting




Top: Kim Dorland, Nemophile, 2017

Bottom: Dana Schutz, Open Casket, 2016

Friday, September 1, 2017

Powers of Association





Top: Jock MacDonald, Black Tusk (1932)

Middle: Robert Smithson, Asphalt Rundown (1969)

Bottom: Michael Snow, Still from New York Eye and Ear Control (1964)