Tuesday, November 24, 2015

The Searchers (1956)

When a "full-screen" film ends on television, everyone grows taller, skinnier, rolled over by those involved with the film's production. In John Ford's The Searchers, it is not the reformatting of the film (to accommodate its credits) that changes the shape of its racist hero, but the sliding door of its post-production frame.

1 comment:

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