Allegory is not a problem. It has
been with us, carried along with church and state, private and public capital,
and the development of industrial processes. It has been readymade for some
time. Suspended disbeliefs are
fabricated and squeezed into tubular packaging, woven canvas pulled from looms
of mass production, thin wood sheet layered, glued and heated together to form
a rigid substrate for our pleasure.
Allegory has history, a production
value and the results are
familiar.
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