When I was younger, the highway to Whistler was scary. People drove it accordingly, which is to say carefully. Now, after years of improvements, it is no longer the road that is scary -- it is the drivers.
Yesterday we drove to Whistler's Rainbow Theatre to hear Michael Audain speak to local residents "about art." Which he did. Eccentrically. I am not sure how many times he mentioned how important it is for his and Yoshi Karasawa's art collection to have its own building ("A home for our artworks"), but each time he did he would remind us that the location is irrelevant ("It's not because we wanted a home in the mountains").
Not that this was found on the residents I was sitting with, most of whom beamed back their blithe Alberta oil smiles as Audain went on to describe the display logic of the collection once it is moved inside the Patkau's ark-like building. (Ark-like because it looks like an ark -- albeit a bent one, as if it just bumped into an iceberg -- but also because, as Audain kept reminding us, it sits on a flood plain).
A few posts ago, in a fit a pique, I described Michael Audain as our Noah Cross. Allow me to shorten that to Noah.
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